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Thursday, July 30, 2009

WHERE DID I GO WRONG [1970] - WILLIE HOBBS

Willie Hobbs was born September 1st, 1944 in Doerun Georgia. He started his career working for the eccentric Major Bill Smith in Texas. This heartfelt track was cut in 1970 and issued on SEVENTY 7 RECORDS.
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Tuesday, July 7, 2009

I AIN'T GOT TO LOVE NOBODY ELSE - THE MASQUERADERS


The Masqueraders were one of the longest-lived yet little-known groups in soul music history. According to an interview with soul collector and historian Greg Tormo, their origins date back to Dallas, Texas in 1958 -- middle-schoolers Charlie Moore (lead vocals) and Robert Tex Wrightsil (first tenor) formed the earliest incarnation of the group, then dubbed "the Stairs," with brothers Johnny and Lawrence Davis in the second and third tenor slots and "Little" Charlie Gibson singing bass. Circa 1959, the Stairs recorded at least three singles for the local South Town label -- "Brown-Eyed Handsome Man," "Caveman Love," and "Flossie Mae" -- before the Davis brothers left the group and Gibson enlisted in the U.S. Army. Moore and Wrightsil scrambled to find replacements, with Moore eventually moving to baritone to accommodate new lead vocalist Lee Wesley Jones; tenor Harold Thomas, and bass David Sanders filled out the new lineup, which toured relentlessly throughout Texas. They often appeared in small towns under the guise of national chart groups, easily emulating the style of any act they so chose -- as a result, they officially renamed themselves the Masqueraders, making their recorded debut under that name with 1963's "A Man's Temptation." After cutting 1965's "Talk About a Woman" for the Houston label Soultown, the Masqueraders traveled to Detroit to audition for Motown -- informed that their style and approach were too similar to that of the Temptations, the group found themselves stuck in the Motor City with no money to return home, hatching a plan to perform at the local Twenty Grand Club to earn enough cash for return fare. En route they stumbled on a recording studio owned by La Beat label owner Lou Beatty, who would go on to release five Masqueraders singles ("The Family," "I'm Gonna Make It," "Together That's the Only Way," "Be Happy for Me" and "I Got the Power") spread across 1966 and 1967. None of their La Beat singles made a commercial impact, however, and the Masqueraders next traveled to Memphis to audition for producer Chips Moman. The group would proceed to record a total of eight singles at Moman's American Studios beginning with 1967's "I Don't Want Nobody to Lead Me On" -- licensed to the New York label Wand, the song was a minor regional hit, and was later recorded by both former NFL star Rosey Grier and the Gentlemen Four. To avoid contractual snafus, Moman credited the Masqueraders as Lee Jones & the Sounds of Soul for the 1968 follow-up "This Heart Is Haunted," which he licensed to the Amy label. After "Do You Love Me Baby" failed to generate much interest, Wand dropped the Masqueraders, and Moman negotiated a new deal with Amy's parent label, Bell -- the three singles that resulted (the minor hit "I Ain't Got Nobody Else," "How Big Is Big," and "Steamroller") represent the creative zenith of the group's career, boasting a gospel-influenced deep soul sound gilded by American Studios' crack session crew. During this time, the Masqueraders also contributed backing vocals to sessions by blue-eyed soul combo the Box Tops. Their next single as headliners, 1968's "I'm Just an Average Guy," was their first true national hit -- released via Moman's AGP label, the record reached the number 24 spot on the national R&B charts. "The Grass Is Green" closed out the year, and in 1969 the Masqueraders swelled to a six-piece with the addition of vocalist Sammie Hutchins; when Lee Evans failed to show up for performances, Hutchins assumed his lead vocal spot, a position he assumed full-time when Evans ultimately left the group altogether. After one final AGP single, "Love, Peace and Understanding," the Masqueraders finally left Memphis and returned home to Dallas, establishing their own Stairway label to release 1971's "Let Me Show the World I Love You"; with little promotion and no national distribution deals to speak of, neither the single nor its 1972 follow-up "The Truth Is Free" attracted any notice outside of Texas, and in 1973 the group returned to Memphis, this time landing with Willie Mitchell's famed Hi label. After two Darryl Carter-produced singles -- "Let the Love Bells Ring" and "Wake Up, Fool" -- Hi terminated the Masqueraders contract; after a quarter century with the group, he co-founded, Charlie Moore decided he'd had enough and resigned in 1974, paving the way for Lee Evans to return. In 1975 they signed with Isaac Hayes' HBS label, soon releasing their first-ever full-length album, Everybody Wanna Live On. Love Anonymous appeared later that same year, but HBS then declared bankruptcy and the Masqueraders spent the remainder of the decade without a recording contract, although they cut a series of still-unreleased demo sessions in addition to maintaining a relentless touring schedule. After signing with the Atlanta-based Bang label, in 1980 the Masqueraders released a self-titled LP that remains their final recorded work to date; Moore eventually returned to the lineup, however, and as of this writing, the group remains a going concern some four decades beyond its inception.


POSTED BY G MAN

Sunday, July 5, 2009

NITE OWL - TONY ALLEN


Here's a souldies staple from Tony Allen titled "Nite Owl." Nite owl was originally a nickname Tony's aunt had given him because he was always staying out late at night. T. Allen turned that phrase into a song and recorded it on July 4th, 1955 at Master Recorders in Hollywood, Ca. The Chimes (David Jackson, David Cobb, Pookie Whooten & John Talbert) did the backing vocals for the cut...they were billed on the record as the The Champs. The Chimes were a group that backed almost everyone at Specialty Records. "Nite Owl" was scheduled to be a B side to the track "I." Due to a printing error "Nite Owl" was listed as the A side and once the DJs got a hold of it the rest was history.

Friday, July 3, 2009

MELLOW FEELING PT. 1 - BARBARA LYNN


After contracts with several other recording labels Barbara Lynn signed with Jetstream Records in 1976. The first of two singles being a re-recording of 'Until Then I'll Suffer' Jetstream 804. The second was 'Movin' On A Groove' Jetstream, 829 which is currently enjoying popularity on the rare Soul scene. Neither single charted, and they proved to be Barbara’s last recordings for three years. In 1979 a new single was issued on the California based label Love Records...'Mellow Feeling Parts 1 & 2' Love 111. This cut is an ultra smooth track and matches the vibe of the title perfectly.

Thursday, July 2, 2009

SOLOE'S OLDIES Vol.7

Photobucket
Q-VOLE….

Volume 7 is here, and what a way to start it off with Ralfi’s version of “Ooh Baby Baby.” Anything Ralfi sings is just gold in my eyes. Billy Stewart makes another appearance on track 12 “Fat boy Can Cry”. Another one that never disappoints. Lenny Williams soulful cut “Cuz I Love You” is just classic. The hidden gem here is track 14, Sun with “ I Had A Choice.” Just a smooth rola to cruise to. Let me know what you think…..Enjoy!!!

1. Ooh Baby Baby – Ralfi Pagan
2. Magic Mountain – The Medallions
3. We Go Together – The Royal Jesters
4. Memories Of El Monte – The Penguins
5. Smile Now, Cry Later – Sunny & The Sunliners
6. This Is My Love – The Passions
7. I Only Want You – The Passions
8. Baby Baby All The Time – The Superbs
9. Daddy’s Home – The Limelights
10. Fork On The Road – The Miracles
11. A Thousand Miles Away – The Limelights
12. Fat Boy Can Cry – Billy Stewart
13. Baby Oh Baby – The Shells
14. I Had A Choice – Sun
15. Somebody Loves You(I Guess) – The Moments
16. No One Else Will Do – Black Ivory
17. It Hurts So Much – The Superbs
18. I Destroyed Your Love – Special Delivery
19. This Love Is For Real – The Lovelites
20. Cuz I Love You – Lenny Willams
21. Hey Love – The Younghearts

Posted By - SOLOE
http://rapidshare.com/files/250918617/SOLOE_S_OLDIES_Vol.7.rar

Wednesday, July 1, 2009

SAN FERNANDO SOULDIES LOVE - EMPTY WORLD BABY: VOLUME ONE


Here's a collaboration that was just completed between me & THE SAN FERNANDO SOUL KING...JR. All tracks come from JR'S SAN FERNANDO music vault. This comp is packed with rare, killer jams with that smooth O.G. soul vibe. One of my favorites is "Clever Girl" by TOWER OF POWER. This group was formed in 1967 in Oakland, California. Tower Of Power is comprised of the following members:
Rufus Miller (vocals)
Greg Adams (trumpet)
Emilio 'Mimi' Castillo (b. Detroit, Michigan; saxophone)
Steve Kupka (saxophone)
Lenny Pickett (saxophone)
Mic Gillette (horns)
Willie Fulton (guitar)
Francis Prestia (bass)
Brent Byer (percussion)
and David Garibaldi (drums)
This talented group issued their 1st album in 1969. To date they have issued a total of 20 albums.

Kick back and absorb the good vibes of this dynamite album and be sure to give myself and JR some feedback if you're feeling this comp.

POSTED BY G MAN

1. CLEVER GIRL...TOWER OF POWER
2. HOW CAN I GET OVER A FOX LIKE YOU...THE ICEMEN
3. TOO MUCH PRIDE...THE PERSIANS
4. SOMEONE NEW...THE CALIFORNIA PLAYBOYS
5. I'M A DEAD MAN (STILL WALKING AROUND)...THE OLYMPICS
6. YOU'RE MY WORLD GIRL...ROSE ROYCE
7. IT'S JUST A PICTURE...THE INTREPIDS
8. 3 MINUTES TO HEY GIRL...GEORGE KERR
9. SHADY SIDE OF TOWN...THE TAILSMAN
10. HEAD TITLE (AKA DISTANT LOVER)...MARVIN GAYE
11. ONE BAD HABIT...THE SUPERBS
12. SUGAR (DON'T TAKE AWAY MY CANDY)...THE JIVE FIVE
13. OH LOVE...IRON KNOWLEDGE
14. 'TAINT NO BIG THING...RICKY VEE & THE STARDUSTERS
15. AIN'T GONNA RUN NO MORE...THE MIGHTY LOVERS
16. I CAN'T HURT YOU BACK...THE YOUNG MODS
17. DON'T WORRY ABOUT THE JONESES...DYSON'S FACES & HARD TIMES
18. I JUST CAN'T GO ON...THE GANGSTERS
19. GOOD OLD DAYS...THE JONES BROTHERS
20. WAIT A MINUTE...NEWDAY
21. MEMORIES...THE FOUR TEMPOS
22. I'M IN LOVE...LEN WOODS

http://rapidshare.com/files/250732607/_SAN_FERNANDO_SOULDIES_LOVE_-_EMPTY_WORLD_BABY-_VOLUME_ONE_.zip